Bringing the wild to life

January 25, 2010

Mornington to Mount Martha workshop

Hi everyone, I thought I’d share some of the works I created on the weekend during a workshop that I was running. The group was a small one (2 adults and 2 juniors) which meant I could guide them while comfortably getting my own works done at the same time. The thing I tried to push home with them was to simplify the scene into the most basic forms and study the tones. While I didn’t want them rushing I did limit the time at each location to 1 hour so that they were more aware of the changes in light as they worked. Each of my scenes was done in roughly 10 minutes, allowing me to concentrate on helping the participants along the way.

All pieces were done on 9″ x 5″ Rustygrit plein air boards. Here are the ones I did for the day.

The first location was the Mornington foreshore, one of my favourite painting spots over the years. Setting up just before 8am everything looked great until dark foreboding clouds came in and sapped the light. My piece still retains some of the light while hinting at the leaden sky in the background.

After wrapping up the first scene we packed all the gear in our cars and made the 10 minute drive to Mount Martha. As we crested the hill and started toward the town I got really excited. The sun had bathed the beach in fantastic summer light and there were crowds of people preparing to sail out on the bay. The bright coloured sails gave me plenty to work with and the scene below is what resulted.

Following on we moved to the south beach where the crowds were building and split up. One of the juniors chose to paint the brightly coloured bathing boxes, another looked at the view of the headland with the crowded beach in the foreground. I chose to look out to the bay and really simplify. I wantes to capture the shifting colours in the water and the people talking on the beach. While I was working on the scene a boat sailed straight past so I decided to use it to give the water some interest.

With the first three locations done myself and one of the students took the trek to the distant headland and set up at the rockpools. I feel it was worth the trip.

Upon reviewing all the works we could all see marked improvements as the day’s scenes developed. I was very pleased – I had converted another group to the thrill of working en plein air!

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October 30, 2009

Light over Dove Lake

Hi all I finished off my little panorama of the spectacular Dove Lake last night while teaching classes. This is done on a Rustygrit board, 7″ x 16″. I really enjoyed the experience as while many of the colours are used in my regular palette I’ve rarely had the opportunity to work with them in this combination. I also love the interplay between the warmer light in the foreground areas and the cooler light on Cradle Mountain at the back.

I’m still deciding with the three references posted last weekend regarding my next major oil. Please let me know which one you like best. I really value your input and would love to hear your thoughts regarding the choice you make.

Moving on I’d also like to mention that classes are currently running from my Pakenham studio and will be starting very soon near Mornington. If you want to learn how to work with pastel these classes are a great way to build your skills. All ages and levels of experience are welcome!

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October 27, 2009

Approaching storm – Pyengana

Here is the first major work based upon Tasmania. This scene is called Approaching storm – Pyengana. It is in pastel on a full sheet of Rustygrit paper. I loved the colours and mood in this scene, especially the vibrant greens in the foreground and the looming cloud as it covers the distant ranges like a blanket.

Approaching storm – Pyengana

$1299.00 AUS (Plus shipping)

I also have a scene of Dove Lake under way which should be finished in the next couple of days.

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