Bringing the wild to life

January 25, 2010

Mornington to Mount Martha workshop

Hi everyone, I thought I’d share some of the works I created on the weekend during a workshop that I was running. The group was a small one (2 adults and 2 juniors) which meant I could guide them while comfortably getting my own works done at the same time. The thing I tried to push home with them was to simplify the scene into the most basic forms and study the tones. While I didn’t want them rushing I did limit the time at each location to 1 hour so that they were more aware of the changes in light as they worked. Each of my scenes was done in roughly 10 minutes, allowing me to concentrate on helping the participants along the way.

All pieces were done on 9″ x 5″ Rustygrit plein air boards. Here are the ones I did for the day.

The first location was the Mornington foreshore, one of my favourite painting spots over the years. Setting up just before 8am everything looked great until dark foreboding clouds came in and sapped the light. My piece still retains some of the light while hinting at the leaden sky in the background.

After wrapping up the first scene we packed all the gear in our cars and made the 10 minute drive to Mount Martha. As we crested the hill and started toward the town I got really excited. The sun had bathed the beach in fantastic summer light and there were crowds of people preparing to sail out on the bay. The bright coloured sails gave me plenty to work with and the scene below is what resulted.

Following on we moved to the south beach where the crowds were building and split up. One of the juniors chose to paint the brightly coloured bathing boxes, another looked at the view of the headland with the crowded beach in the foreground. I chose to look out to the bay and really simplify. I wantes to capture the shifting colours in the water and the people talking on the beach. While I was working on the scene a boat sailed straight past so I decided to use it to give the water some interest.

With the first three locations done myself and one of the students took the trek to the distant headland and set up at the rockpools. I feel it was worth the trip.

Upon reviewing all the works we could all see marked improvements as the day’s scenes developed. I was very pleased – I had converted another group to the thrill of working en plein air!

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January 21, 2010

Inverloch workshop wrap up

This Sunday January 10th was the first of my Outdoor Pastel Workshops. We started at Cape Paterson just before 8, setting up easels at a lookout that looked east to the busy beach filled with early morning swimmers preparing for the hot day ahead. As expected all participants were out of their comfort zone but all did very well to craft scenes which captured the view in front of us.  The strong lighting really pushed their colour reliant attitudes as they were forced to simplify and look at the tones instead.

raw-cape-paterson-atmosphere

When we arrived at the second location we had 2 views to choose and the girls chose the one with the sun behind the them, a nice little procession of headlands and open ocean with swell of in the distance. This was an interesting choice for them as they all created completely different scenes, each with it’s own merit. These studies were deemed the strongest of the group when we moved to the studio session.

While we were at this location I did 2 studies, shown below.

raw-eagles-nest-lookout-1

raw-eagles-nest-lookout-2

The final outdoor scene was the beautiful rockpools at Flat rocks. The location offered a multitude of views, the most appealing being the view straight out to the surf, the rocks acting as a path to the glorious jade water. In the hot summer light the girls again wrestled with the issue of colour versus tone.

This was the scene I did on location.

raw-rockpools-at-flat-rocks

After a brief stop for lunch at Inverloch we set up outside the Art Gallery of Inverloch and I got stuck into showing them how to take the magic of the outdoor study and create a studio work that accentuates those characteristics. Using the study for atmosphere and light along with a photo for details I set about on creating as faithful rendering of the Cape Paterson scene.

cape-paterson-atmosphere-studio

With the demo complete it was time for the girls to get stuck into their studio versions of the second scene, this time with less focus on detail and colour but more on light, tone and form. While working we spoke at length about colour theory as it relates to water, atmospheric perspective, the intensity of colour and it’s impact in your work.

Here is shot of the girls hard at work

inverloch-studio-session

Thanks to the ladies who came along and also the Art Gallery of Inverloch for their support in getting this event set up.

Next up is my mount martha workshop on Sunday the 24th of January. If you think you’d like to have a go let me know. It promises to be a lot of fun and you’ll walk away with some new ideas on how to work in pastel.

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January 20, 2010

Chasing the golden summer

Please enjoy this short clip for my upcoming Outdoor Pastel Workshop on the Mentone to Sandringham coastal trail. If you’d like to join me for this workshop please send me an email.

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January 5, 2010

Some raw impressions – new studies from Beaumaris and Mount Martha

beaumaris-raw-impression

As 2009 came to an end I went out on site to the Beaumaris cliffs, one of my favourite locales, to do a study in preparation for my outdoor pastel workshops. I was working on a 9″ x 5″ Rustygrit plein air board (Red black) in the warm afternoon light. My focus was one increasing the contrast and losing all rendering – only the information to tell the story.

raw-beaumaris-cliffs

BEAUMARIS CLIFFS

Mount-martha-raw-impression

Yesterday Iwent to Mount Martha where I’ll be running my workshop on January 24th and set up at this spot to create a study. The focus for this study was to capture the textures of the rocky surface and the beautiful glow in the water. I was working on a Rustygrit studio board in raspberry, approximately 7″ x 10″.

the-point-raw-impression

THE POINT, MOUNT MARTHA

This piece of the point will be used as a basis for a major piece in the next couple of weeks. I’ve got a few works on the go at the moment and hope to have some new ones to show you shortly!

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December 22, 2009

Playing in the sun – New major pastel completed!

Hi everyone, in between a very productive end to the year with my pastel classes (Anyone who is interested in joining should check out the current samples on my website ) I managed to return to this major pastel and bring it to completion last night. The sand was a lot of fun to do and I feel like I captured the hot summer sun pretty well in this one. The little boy gave me some trouble but in the end I think it was worth it.

This piece will be available through the Gallery of Inverloch in the new year.

I’ve still got some things on the easel and I’m hoping I’ll get to share them with you very soon. As always thanks for looking!

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December 8, 2009

New workshops announced for February 2010 plus heaps of works to share

This is just a quick note letting you all know about the upcoming Outdoor Pastel workshops that are running at the start of next year.

This past weekend we ran the Outdoor workshop in Pakenham which was a resounding success. The participants were taken aback by the challenges faced in the elements and learned to let go of the rigid working methods used in the studio. The looser more intuitive response to the scene gave everyone a chance to see with fresh eyes and learn the importance of observing what is around them.

Here is what one of the participants had to say: “I would like to thank you for the workshop on the 6th of December, I thoroughly enjoyed the experience of working out in the open and you enabled me to look at what I am seeing in a totally different light. I feel that I have gained so much more understanding of how shadows and light play so much more to a picture than I realized before. Your patience and explanation were thorough, and easily understood, and the class members who participated on the day were also very encouraging and a great bunch of people.” Kim from Bittern

The piece below was done as a mini demo to conclude the day.

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In January I will be running 2 major workshops. The first is at Inverloch on the 10th of January and the second is at Mount Martha on the 24th of January. Spaces for both are filling quickly so if you are interested in either event please let me know soon.

Just announced are the first events for February. On the 21st of February I’ll be running an all day workshop along the famed coastal trail from Beaumaris to Sandringham, stopping at 4 of my favourite paint out locations. There are 10 places available for this one and those who are interested will be able to develop works ready to enter the Bayside En Plein Air competition in March.

The second workshop will run on the 28th of February from 3pm in the Toomuc Valley, north west of Pakenham. We’ll be working at 2 locations for this one, taking in a sweeping landscape and a bush creek scene.

Pricing for the Inverloch, Mount Martha and Coastal Trail workshops is $95 per person, which includes four Rustygrit 9 x 5 pastel boards.
The Toomuc Valley workshop is $60 per person and includes 2 Rustygrit 9 x 5 pastel boards.

If you’d like a registration form for any of these events please let me know.

I look forward to getting out in the elements with you!

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This month has been crazy with commissions in preparation for Christmas. With all the talk of doom and gloom at the start of the year when it came to the financial crisis I’ll be remembering 2009 as my best year yet sales wise. I’d like to thank everyone who has taken an interest in my work for your support. I promise the best is yet to come!

Please enjoy some of the recent commissions….

I’ve just got one more major piece to go and all commitments for this year are completed!

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November 26, 2009

Shelley beach plein air study

On the way back from Inverloch on Monday I saw this scene as I came back through Kilcunda. The atmosphere of that place of an afternoon is just amazing. With my pochade and pastels in the car I stopped at the nearest carpark and made my way toward one of the cliff tops to begin work. 20 minutes later the study you see below was completed.

shelley-beach-atmosphere-pa

Shelley beach atmosphere

Pastel on Rustygrit by Leigh Rust

Working quickly is one of the things I’ll be looking at during my upcoming workshops. With a scene like this where the movement of the water is paramount to the success of the work it’s a matter of observing that movement for a while before laying down the first strokes.

I’ll possibly develop this as a larger studio work in the near future.

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November 9, 2009

Demonstration day at the Art Gallery of Inverloch

inverlochnovdemo

I’ll be at the gallery from 11am demonstrating in pastel for a wildlife piece and a coastal scene. If you’re in the area come along. It promises to be a lot of fun!

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October 20, 2009

Mornington Food and wine festival

Sunday was the Mornington food and wine festival and I was lucky enough to have a marquee showing my originals and demonstrating for the crowds throughout the day. To everyone who dropped in and said hello I thank you for taking the time and sincerely hope you enjoyed my work. Many people enquired about my pastel masterclass and also junior classes. I’m now looking into venues to get those classes up and running in the area shortly.

Over the course of the day I completed 3 works and started a new major piece based upon one of my tassie 9 x 5’s.

The first piece was demonstrating the primary colour exercise that every student who comes to me starts with. I think this piece surprised many as it didn’t look too pretty at the start but exuded a great amount of light and energy by the time it was completed.

From there I moved onto a local scene depicting the Mornington headland. This piece was a half sheet of Rusty grit, keeping the proportions similar to the 9 x 5 format I’ve been using.  Given that his was a local work many people took interest in seeing it develop.  I was really pleased with the sweeping lines in the design of this piece.

Upon completing this piece I did a couple of kids classes before getting to work on this small 9 x 5 of Cape Paterson.

Finally I started working up a large piece based upon my study of Pyengana from our Tassie trip which I will share with you over the next few days. All in all it was a very productive day!

I’d like to say thanks to Original Oz, Mount Martha who had enough faith in my abilities to set me up for the day. It’s an honour to have you representing me. If anyone is looking for a range of amazing realist artwork please drop in and have a look at what’s on offer. I feel privileged to be hanging on their walls

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October 19, 2009

Recent 9 x 5 studies of Tasmania

I’m back in the studio rejuvenated and refreshed after an amazing whirlwind trip through the lush land of Tasmania. It was great to get back out on site and work in the elements, removing all gloss from the work and going straight for the most important elements in the scene.

We started out from Hobart and made our way along the east coast stopping many times on our way to St Helens.  One stop that stood out for me was Kate’s Berry farm where they make a great array of homemade jams and ice cream. The boysenberry ice cream I had there was the best I’ve ever tasted. The view from the farm was almost as good as the products, with a panorama looking out to Freycinet greeting us from outside the shop.

We arrived at St Helens midway through the afternoon as the weather started to take a turn. The town is an old fishing harbour about 10 minutes drive from Binalong Bay, the bay of fires. The bay has been a must see destination for me from many years ago and it was fantastic to finally see it in all its’ glory. We arrived at the bay late in the evening and despite the ominous clouds looming overhead the water glowed an incredible aqua. The next morning we returned to the bay to witness a classic sunrise, pouring golden light over the rocks and showing off the dazzling red marks that adorn them.

From there we moved north along the Tasman hwy and came to a speck on the map called Pyengana. Pyengana is home to the majestic St Columba falls. I contemplated doing a study of the scene while I was there but decided that I need to work large to do the scene justice. I’m looking to start that scene very shortly. While in the area I did get this little study done. The clouds covered many of the mountains that surrounded us and the abundant rainfall had created a landscape of rich, vibrant colours everywhere I looked.

The next day we arrived at Cradle Mountain. Along with the bay of fires this has been a must see for as long as I can remember. Working our way into the national park the abundance of scenery was almost overwhelming.  Arriving at Dove lake the clouds opened up to bring a stream of light down over the face of the mountain, catching the snow on the peak and creating the most crisp vivid white I’ve seen for some time. I set up my pochade box and got to work on the quick study below.

Leaving the mountain we stopped at a small park called Devils at Cradle. If you love animals and happen to be in the area this place is a great stop to make. I was lucky enough to get up close and personal to a Tasmanian devil, a great experience given that I’m looking to run an exhibition to benefit them in the future. I was quite surprised by how much the devils act like a dog, scratching behind their ears with their hind legs.

The next destination was Strahan on the west coast. The drive there was just about perfect with the stretch between Mt Murchison and Queenstown taking us through huge mountains and past some stunning lakes. We arrived at Strahan late in the afternoon and I took advantage of the last light over the harbour to create the scene below

Leaving Strahan the next morning we worked our way the central highlands back into Hobart where I took advantage of my last hour before boarding the plane to teach one of my students how to work outdoors. The result was this piece depicting the stream that runs past the Cascade brewery.

Coming home I’ve got ideas for so many landscapes and I’ve found myself inspired by the countryside rather than the coast for the first in time in quite a while. I can’t wait to get started and I’m already looking forward to returning to Tassie as soon as possible. If you get the opportunity to visit please do so. You certainly won’t regret it!

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