Bringing the wild to life

August 6, 2010

Finally an update!

Hey everyone, my sincere apologies for the lack of updates here over the past couple of months. Life has been hectic. Life has been good. Classes are booming and my students are doing brilliantly every session these days. As they are improving it is also forcing me to improve which can only be a good thing.

Social media has finally got me going with my Facebook page getting updates after every class. If you’re interested in joining the fun make sure you have a look at the amazing work the current crew are doing. I’m also in the process of organizing an art sale near the end of the year featuring the artists from my studio. If you’re looking for a special Christmas present then I think you’ll have a good chance of finding it there! More info on that shortly.

Now onto what has been happening at my easel. After a very long time doing big game and coastal scenes I’ve shifted gears and moved onto our feathered friends. It’s funny what teaching Wendy Olsen can do to a person. For those who don’t know Wendy’s work I promise it’s worth having a look at. In my opinion she is possibly the best up and coming bird artist in Victoria. Watching her rise through the ranks prompted me to have a good think and dive into new territory as I start to tackle Australian birds in pastel. I’m still just getting started but I’m thoroughly enjoying myself with them. Here are some of the recent works….

A quiet life - pastel on Rustygrit by Leigh Rust

A quiet life - pastel on Rustygrit $649.00 AUD plus shipping

This piece really started things going in the current direction. It had been ages since I’d done an Australian animals and one of my students asked me to demonstrate my technique for creating a glowing background. I had an old reference photo nearby and just got started. Before we all knew it this work was born. I had so much fun with the textures in the fur, especially working with my handmade colours.

Kookaburra in the bush - pastel on Rustygrit by Leigh Rust

Kookaburra in the bush - Pastel on Rustygrit $599.00 AUD plus shipping

Shortly after in another class I began working on this. We only had a small group that night and everyone was sorted so I thought I’d have a play as well. By the end of the session things were shaping up and in the following class I put in the finishing touches including that amazing branch! I’m so pleased with how well the textures read on it. From here it has just been a natural progression through.

Corella study - pastel on Rustygrit by Leigh Rust

Corella - pastel on Rustygrit - SOLD

This was a small study on one of my plein air boards. Within 24 hours of completing it I had sold it!

Cockatoo in a walnut tree - pastel on Rustygrit by Leigh Rust

Cockatoo in a chestnut tree - pastel on Rustygrit $649.00 AUD plus shipping

Flight - Black cockatoo in flight-  pastel on Colourfix by Leigh Rust

Flight - pastel on Colourfix $899.00 AUD plus shipping

This was a fun piece to do! The original reference came from the Bird show at Australia’s Zoo and I just knew I had to do it. I chose to put the cocky into a dusk sky and accentuate the movement which made it a great challenge and heaps of fun to work on.

Rosella sunrise - pastel on Colourfix by Leigh Rust

Rosella sunrise - pastel on Colourfix $160.00 AUD plus shipping

This little one was another small study

Ark! - pastel on Rustygrit by Leigh Rust

Ark! - Pastel on Rustygrit $320 AUD plus shipping

I had one of these as a pet when I was a kid and I miss him dearly. I’ve called it Ark! because he always made that sound so we  named him Noah. I thought it was time for him to return to the trees.

Rainbow lorikeet - pastel on Colourfix by Leigh Rust

Rainbow lorikeet - pastel on Colourfix $479.00 AUD plus shipping

I’d love to hear what people think of these new works, especially those who have been following my art for a while. Let me know your thoughts.

Before I go just a quick note to budding artists in the Warragul area. I’ll soon be teaching open class and pastel masterclass that way on Wednesdays. If you’re interested send me a message and I’ll let you know when we are ready to kick things off.

New updates soon (I hope!)

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March 14, 2010

Galahs over the gorge – new major work completed

Hi everyone, this piece has been n the easel for about a month now and I’m very happy to say that it’s now completed. This is a local scene in Pakenham but I’m pretty sure none of the locals will recognise it. With the diagonals of the rocks I decided I needed something to counterbalance them and felt that a pair of galahs darting through the background would finish this off.


Galahs over the gorge

$1299.00 AUD (plus shipping)

This is a full sheet of Colourfix using rustytones and art spectrum pastels.
I’d love to hear what people think of it.

In other news my students have done exceptionally well at this year’s Bayside En Plein Air competition, with 4 students entering and 4 students walking away with awards! Very well done!

Here are some samples of their recent works… (not including the entries for the show)

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October 27, 2009

Approaching storm – Pyengana

Here is the first major work based upon Tasmania. This scene is called Approaching storm – Pyengana. It is in pastel on a full sheet of Rustygrit paper. I loved the colours and mood in this scene, especially the vibrant greens in the foreground and the looming cloud as it covers the distant ranges like a blanket.

Approaching storm – Pyengana

$1299.00 AUS (Plus shipping)

I also have a scene of Dove Lake under way which should be finished in the next couple of days.

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October 22, 2009

I read a great book the other day..

Filed under: Uncategorized, wildlife — Tags: , , , , , — admin @ 5:27 am

Hey everyone, while on holiday last week I got a rare chance to do some reading. The book I got into while on the plane was Don’t look behind you but.. by Peter Allison, a Sydney based author who spends half of his life as a safari guide. I’ve followed his blog on myspace for a while now and had found his writing quite amusing. The new book had me giggling madly nearly all the way through. Hopefully one day in the future I’ll get the opportunity to work with him. Until then I’ll continue to enjoy his writing.

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October 20, 2009

Mornington Food and wine festival

Sunday was the Mornington food and wine festival and I was lucky enough to have a marquee showing my originals and demonstrating for the crowds throughout the day. To everyone who dropped in and said hello I thank you for taking the time and sincerely hope you enjoyed my work. Many people enquired about my pastel masterclass and also junior classes. I’m now looking into venues to get those classes up and running in the area shortly.

Over the course of the day I completed 3 works and started a new major piece based upon one of my tassie 9 x 5’s.

The first piece was demonstrating the primary colour exercise that every student who comes to me starts with. I think this piece surprised many as it didn’t look too pretty at the start but exuded a great amount of light and energy by the time it was completed.

From there I moved onto a local scene depicting the Mornington headland. This piece was a half sheet of Rusty grit, keeping the proportions similar to the 9 x 5 format I’ve been using.  Given that his was a local work many people took interest in seeing it develop.  I was really pleased with the sweeping lines in the design of this piece.

Upon completing this piece I did a couple of kids classes before getting to work on this small 9 x 5 of Cape Paterson.

Finally I started working up a large piece based upon my study of Pyengana from our Tassie trip which I will share with you over the next few days. All in all it was a very productive day!

I’d like to say thanks to Original Oz, Mount Martha who had enough faith in my abilities to set me up for the day. It’s an honour to have you representing me. If anyone is looking for a range of amazing realist artwork please drop in and have a look at what’s on offer. I feel privileged to be hanging on their walls

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October 19, 2009

Recent 9 x 5 studies of Tasmania

I’m back in the studio rejuvenated and refreshed after an amazing whirlwind trip through the lush land of Tasmania. It was great to get back out on site and work in the elements, removing all gloss from the work and going straight for the most important elements in the scene.

We started out from Hobart and made our way along the east coast stopping many times on our way to St Helens.  One stop that stood out for me was Kate’s Berry farm where they make a great array of homemade jams and ice cream. The boysenberry ice cream I had there was the best I’ve ever tasted. The view from the farm was almost as good as the products, with a panorama looking out to Freycinet greeting us from outside the shop.

We arrived at St Helens midway through the afternoon as the weather started to take a turn. The town is an old fishing harbour about 10 minutes drive from Binalong Bay, the bay of fires. The bay has been a must see destination for me from many years ago and it was fantastic to finally see it in all its’ glory. We arrived at the bay late in the evening and despite the ominous clouds looming overhead the water glowed an incredible aqua. The next morning we returned to the bay to witness a classic sunrise, pouring golden light over the rocks and showing off the dazzling red marks that adorn them.

From there we moved north along the Tasman hwy and came to a speck on the map called Pyengana. Pyengana is home to the majestic St Columba falls. I contemplated doing a study of the scene while I was there but decided that I need to work large to do the scene justice. I’m looking to start that scene very shortly. While in the area I did get this little study done. The clouds covered many of the mountains that surrounded us and the abundant rainfall had created a landscape of rich, vibrant colours everywhere I looked.

The next day we arrived at Cradle Mountain. Along with the bay of fires this has been a must see for as long as I can remember. Working our way into the national park the abundance of scenery was almost overwhelming.  Arriving at Dove lake the clouds opened up to bring a stream of light down over the face of the mountain, catching the snow on the peak and creating the most crisp vivid white I’ve seen for some time. I set up my pochade box and got to work on the quick study below.

Leaving the mountain we stopped at a small park called Devils at Cradle. If you love animals and happen to be in the area this place is a great stop to make. I was lucky enough to get up close and personal to a Tasmanian devil, a great experience given that I’m looking to run an exhibition to benefit them in the future. I was quite surprised by how much the devils act like a dog, scratching behind their ears with their hind legs.

The next destination was Strahan on the west coast. The drive there was just about perfect with the stretch between Mt Murchison and Queenstown taking us through huge mountains and past some stunning lakes. We arrived at Strahan late in the afternoon and I took advantage of the last light over the harbour to create the scene below

Leaving Strahan the next morning we worked our way the central highlands back into Hobart where I took advantage of my last hour before boarding the plane to teach one of my students how to work outdoors. The result was this piece depicting the stream that runs past the Cascade brewery.

Coming home I’ve got ideas for so many landscapes and I’ve found myself inspired by the countryside rather than the coast for the first in time in quite a while. I can’t wait to get started and I’m already looking forward to returning to Tassie as soon as possible. If you get the opportunity to visit please do so. You certainly won’t regret it!

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June 9, 2009

New print available

After a fair bit of interest I’ve decided to release one of my most popular images, Dingo Spirit, as a print through the good folks at redbubble. With a range of products from greeting cards to framed prints there are options to suit everyone.

Here is a sample of the framed work

If there is another image in my collection that has been sold and you feel would work as a print let me know.

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