Bringing the wild to life

October 30, 2009

Light over Dove Lake

Hi all I finished off my little panorama of the spectacular Dove Lake last night while teaching classes. This is done on a Rustygrit board, 7″ x 16″. I really enjoyed the experience as while many of the colours are used in my regular palette I’ve rarely had the opportunity to work with them in this combination. I also love the interplay between the warmer light in the foreground areas and the cooler light on Cradle Mountain at the back.

I’m still deciding with the three references posted last weekend regarding my next major oil. Please let me know which one you like best. I really value your input and would love to hear your thoughts regarding the choice you make.

Moving on I’d also like to mention that classes are currently running from my Pakenham studio and will be starting very soon near Mornington. If you want to learn how to work with pastel these classes are a great way to build your skills. All ages and levels of experience are welcome!

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October 27, 2009

Approaching storm – Pyengana

Here is the first major work based upon Tasmania. This scene is called Approaching storm – Pyengana. It is in pastel on a full sheet of Rustygrit paper. I loved the colours and mood in this scene, especially the vibrant greens in the foreground and the looming cloud as it covers the distant ranges like a blanket.

Approaching storm – Pyengana

$1299.00 AUS (Plus shipping)

I also have a scene of Dove Lake under way which should be finished in the next couple of days.

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October 25, 2009

Your chance to choose my next major oil

Hey everyone, now that I’m back in the studio it’s time to get started on some major pieces based on my trip to Tasmania. I want some help from you to decide which scene will be the next one on the easel.

I’ve got 3 beautiful panoramas to choose from and I’m struggling to work out which one I’m going to tackle first.

This scene is the iconic Cradle Mountain from dove lake. I love the beam of light streaming down the face of the mountain.

light-over-dove-lake-web

The next scene I love due to the amazing colours in the mountain ranges. The play of blues and burgundy throughout the surface gives this scene a wonderful richness inherent of Tasmania.

anthony-road-web

The final one is Lake Burbury. This enormous lake opens up for miles and is rimmed by incredible mountains. This scene is only a small snippet of the panorama we saw but still shows the variety in the lighting and surfaces I’d need to render.

lake-burbury-web

Please leave a comment or send me an email and let me know which one is your favourite scene and why. The person with the most compelling comment will win the layout sketch which I’ll use to develop my finished work.

I look forward to reading your entries!

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October 24, 2009

Online exhibition at Original Oz

Hi all, I just wanted to let you know about my showcase exhibition currently running on the originaloz.com.au website. We have a selection of my scenes and wildlife works on show. The site is worth bookmarking for those of you who love your realist art. There will be rotating 1 month showcases featuring many of the gallery’s artists so check back regularly.

If you’re on the Mornington peninsula take the time to visit the real gallery to see a breathtaking array of works on the walls.

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October 22, 2009

I read a great book the other day..

Filed under: Uncategorized, wildlife — Tags: , , , , , — admin @ 5:27 am

Hey everyone, while on holiday last week I got a rare chance to do some reading. The book I got into while on the plane was Don’t look behind you but.. by Peter Allison, a Sydney based author who spends half of his life as a safari guide. I’ve followed his blog on myspace for a while now and had found his writing quite amusing. The new book had me giggling madly nearly all the way through. Hopefully one day in the future I’ll get the opportunity to work with him. Until then I’ll continue to enjoy his writing.

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October 20, 2009

Mornington Food and wine festival

Sunday was the Mornington food and wine festival and I was lucky enough to have a marquee showing my originals and demonstrating for the crowds throughout the day. To everyone who dropped in and said hello I thank you for taking the time and sincerely hope you enjoyed my work. Many people enquired about my pastel masterclass and also junior classes. I’m now looking into venues to get those classes up and running in the area shortly.

Over the course of the day I completed 3 works and started a new major piece based upon one of my tassie 9 x 5’s.

The first piece was demonstrating the primary colour exercise that every student who comes to me starts with. I think this piece surprised many as it didn’t look too pretty at the start but exuded a great amount of light and energy by the time it was completed.

From there I moved onto a local scene depicting the Mornington headland. This piece was a half sheet of Rusty grit, keeping the proportions similar to the 9 x 5 format I’ve been using.  Given that his was a local work many people took interest in seeing it develop.  I was really pleased with the sweeping lines in the design of this piece.

Upon completing this piece I did a couple of kids classes before getting to work on this small 9 x 5 of Cape Paterson.

Finally I started working up a large piece based upon my study of Pyengana from our Tassie trip which I will share with you over the next few days. All in all it was a very productive day!

I’d like to say thanks to Original Oz, Mount Martha who had enough faith in my abilities to set me up for the day. It’s an honour to have you representing me. If anyone is looking for a range of amazing realist artwork please drop in and have a look at what’s on offer. I feel privileged to be hanging on their walls

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October 19, 2009

Recent 9 x 5 studies of Tasmania

I’m back in the studio rejuvenated and refreshed after an amazing whirlwind trip through the lush land of Tasmania. It was great to get back out on site and work in the elements, removing all gloss from the work and going straight for the most important elements in the scene.

We started out from Hobart and made our way along the east coast stopping many times on our way to St Helens.  One stop that stood out for me was Kate’s Berry farm where they make a great array of homemade jams and ice cream. The boysenberry ice cream I had there was the best I’ve ever tasted. The view from the farm was almost as good as the products, with a panorama looking out to Freycinet greeting us from outside the shop.

We arrived at St Helens midway through the afternoon as the weather started to take a turn. The town is an old fishing harbour about 10 minutes drive from Binalong Bay, the bay of fires. The bay has been a must see destination for me from many years ago and it was fantastic to finally see it in all its’ glory. We arrived at the bay late in the evening and despite the ominous clouds looming overhead the water glowed an incredible aqua. The next morning we returned to the bay to witness a classic sunrise, pouring golden light over the rocks and showing off the dazzling red marks that adorn them.

From there we moved north along the Tasman hwy and came to a speck on the map called Pyengana. Pyengana is home to the majestic St Columba falls. I contemplated doing a study of the scene while I was there but decided that I need to work large to do the scene justice. I’m looking to start that scene very shortly. While in the area I did get this little study done. The clouds covered many of the mountains that surrounded us and the abundant rainfall had created a landscape of rich, vibrant colours everywhere I looked.

The next day we arrived at Cradle Mountain. Along with the bay of fires this has been a must see for as long as I can remember. Working our way into the national park the abundance of scenery was almost overwhelming.  Arriving at Dove lake the clouds opened up to bring a stream of light down over the face of the mountain, catching the snow on the peak and creating the most crisp vivid white I’ve seen for some time. I set up my pochade box and got to work on the quick study below.

Leaving the mountain we stopped at a small park called Devils at Cradle. If you love animals and happen to be in the area this place is a great stop to make. I was lucky enough to get up close and personal to a Tasmanian devil, a great experience given that I’m looking to run an exhibition to benefit them in the future. I was quite surprised by how much the devils act like a dog, scratching behind their ears with their hind legs.

The next destination was Strahan on the west coast. The drive there was just about perfect with the stretch between Mt Murchison and Queenstown taking us through huge mountains and past some stunning lakes. We arrived at Strahan late in the afternoon and I took advantage of the last light over the harbour to create the scene below

Leaving Strahan the next morning we worked our way the central highlands back into Hobart where I took advantage of my last hour before boarding the plane to teach one of my students how to work outdoors. The result was this piece depicting the stream that runs past the Cascade brewery.

Coming home I’ve got ideas for so many landscapes and I’ve found myself inspired by the countryside rather than the coast for the first in time in quite a while. I can’t wait to get started and I’m already looking forward to returning to Tassie as soon as possible. If you get the opportunity to visit please do so. You certainly won’t regret it!

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October 9, 2009

Revisiting an old work and starting some new ones

Filed under: Uncategorized — Tags: , , , — admin @ 12:52 am

Hey everyone, it seems like it’s been way too long since my last post. Things have been chaotic in the studio with classes taking off and some commissions keeping me busy. On top of that I’ve been building easels and displays for upcoming events so there are never enough hours to get online lately.

I’ve also been prepping for my upc0ming trip to the Apple isle (Tasmania) where I’ll get to see and paint some of the most gorgeous scenery I’ve seen yet. The trip to Cradle Mountain while it’s snowing next week has me shivering in anticipation!

Now back to what has been coming through the studio of late. In addition to some more 9 x 5’s I’ve been reworking and rejuvenating one of my older works. Here is the original version

and here is the new reworked version

I feel the differences really show how far I’ve come in the past couple of years since I originally did the scene. The techniques I use are completely different now and I feel my confidence with colour is much better, allowing me to get that extra zing.

Another work I’ve just started is this new pastel of an Asian Elephant in the water. It’ll be a half sheet on colourfix and I’ll be using my Rustytones for most of the work this time around. The client who commissioned this piece is one of my oldest collectors. She’s always loved my Bathtime piece and wanted a smaller pastel capturing the carefree nature of the elephant as it plays in the water.

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