Bringing the wild to life

August 6, 2010

Finally an update!

Hey everyone, my sincere apologies for the lack of updates here over the past couple of months. Life has been hectic. Life has been good. Classes are booming and my students are doing brilliantly every session these days. As they are improving it is also forcing me to improve which can only be a good thing.

Social media has finally got me going with my Facebook page getting updates after every class. If you’re interested in joining the fun make sure you have a look at the amazing work the current crew are doing. I’m also in the process of organizing an art sale near the end of the year featuring the artists from my studio. If you’re looking for a special Christmas present then I think you’ll have a good chance of finding it there! More info on that shortly.

Now onto what has been happening at my easel. After a very long time doing big game and coastal scenes I’ve shifted gears and moved onto our feathered friends. It’s funny what teaching Wendy Olsen can do to a person. For those who don’t know Wendy’s work I promise it’s worth having a look at. In my opinion she is possibly the best up and coming bird artist in Victoria. Watching her rise through the ranks prompted me to have a good think and dive into new territory as I start to tackle Australian birds in pastel. I’m still just getting started but I’m thoroughly enjoying myself with them. Here are some of the recent works….

A quiet life - pastel on Rustygrit by Leigh Rust

A quiet life - pastel on Rustygrit $649.00 AUD plus shipping

This piece really started things going in the current direction. It had been ages since I’d done an Australian animals and one of my students asked me to demonstrate my technique for creating a glowing background. I had an old reference photo nearby and just got started. Before we all knew it this work was born. I had so much fun with the textures in the fur, especially working with my handmade colours.

Kookaburra in the bush - pastel on Rustygrit by Leigh Rust

Kookaburra in the bush - Pastel on Rustygrit $599.00 AUD plus shipping

Shortly after in another class I began working on this. We only had a small group that night and everyone was sorted so I thought I’d have a play as well. By the end of the session things were shaping up and in the following class I put in the finishing touches including that amazing branch! I’m so pleased with how well the textures read on it. From here it has just been a natural progression through.

Corella study - pastel on Rustygrit by Leigh Rust

Corella - pastel on Rustygrit - SOLD

This was a small study on one of my plein air boards. Within 24 hours of completing it I had sold it!

Cockatoo in a walnut tree - pastel on Rustygrit by Leigh Rust

Cockatoo in a chestnut tree - pastel on Rustygrit $649.00 AUD plus shipping

Flight - Black cockatoo in flight-  pastel on Colourfix by Leigh Rust

Flight - pastel on Colourfix $899.00 AUD plus shipping

This was a fun piece to do! The original reference came from the Bird show at Australia’s Zoo and I just knew I had to do it. I chose to put the cocky into a dusk sky and accentuate the movement which made it a great challenge and heaps of fun to work on.

Rosella sunrise - pastel on Colourfix by Leigh Rust

Rosella sunrise - pastel on Colourfix $160.00 AUD plus shipping

This little one was another small study

Ark! - pastel on Rustygrit by Leigh Rust

Ark! - Pastel on Rustygrit $320 AUD plus shipping

I had one of these as a pet when I was a kid and I miss him dearly. I’ve called it Ark! because he always made that sound so we  named him Noah. I thought it was time for him to return to the trees.

Rainbow lorikeet - pastel on Colourfix by Leigh Rust

Rainbow lorikeet - pastel on Colourfix $479.00 AUD plus shipping

I’d love to hear what people think of these new works, especially those who have been following my art for a while. Let me know your thoughts.

Before I go just a quick note to budding artists in the Warragul area. I’ll soon be teaching open class and pastel masterclass that way on Wednesdays. If you’re interested send me a message and I’ll let you know when we are ready to kick things off.

New updates soon (I hope!)

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April 10, 2010

I’m back from holiday and raring to go!

Hi everyone, I’ve returned to the studio after a week away with the family and I can’t wait to get started!  The break was wonderful, with time at Ballarat and Echuca, visiting Sovereign Hill, Kryal Castle and making our way to the Murray River.  The weather for the start of the trip was looking ominous but held out while we went to Sovereign Hill and had a look around. It is very well done, with many of the shops operating and everyone in period. I can’t imagine being confined to a space 8 feet square to try and make my fortune though…

The highlight of the trip was certainly getting to Echuca. Soon after arriving at our accommodation I headed straight down to the bank of the river and set up to work. The study produced that afternoon was heaps of fun to do. Generally my raw impressions need to be very quick due to the changing waves but here on the river I could relax and just enjoy it more.

Afternoon light, Yarraby

Afternoon light, Yarraby - Pastel 8" x 5" $180 (plus shipping)

The following morning my beautiful daughter decided to wake me at 6am, just before the Cockatoos, Kookaburras and Correllas did. As a result she became my companion on site as I worked on 3 studies in the dawn light.

Here are the works I produced that morning…

Murray Mists - Pastel 8" x 6" $180 (plus shipping)

Calm dawn, Murray river

Calm dawn, Murray river - Pastel 8" x 6" $180 (plus shipping)

From the bank of the Murray

From the bank of the Murray - Pastel 6" x 9" $220 (plus shipping)

Upon returning from my holiday I called into the Yakkerboo Art Show to find out that I had won the prestigious Glenn Madden Local Artist award with my work Under the Sea. This was a welcome surprise!

As you can see it has been a great week away and I’m hoping this week proves just as enjoyable!

Here is something that any aspiring artists along the Mornington Peninsula or Pakenham areas should check out… My Open Art Classes! YOUR medium, YOUR subject, MY guidance! Let me know if you would like to attend

open_art_class_pakenhamWednesday nights at the Mornington Park Pavilion also. How can you go wrong?

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March 27, 2010

I’m now on Facebook. Come and check out my students amazing works

Filed under: art promotions,classes,In the studio — Tags: , , — admin @ 2:17 pm

That’s right, I’ve finally caught up with the rest of society and joined Facebook. The link to the Leigh Rust Art Studio page is here. It’s well worth a look for anyone who might like to join the art classes as you’ll find the student art gallery here!

This weekend is going to be flat out with framing as I prepare for the Yakkerboo Art Show (April 9 – 11, Pakenham racecourse, Pakenham) and start working on some new pieces. I promise I’ll have some new updates soon!

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March 14, 2010

Galahs over the gorge – new major work completed

Hi everyone, this piece has been n the easel for about a month now and I’m very happy to say that it’s now completed. This is a local scene in Pakenham but I’m pretty sure none of the locals will recognise it. With the diagonals of the rocks I decided I needed something to counterbalance them and felt that a pair of galahs darting through the background would finish this off.


Galahs over the gorge

$1299.00 AUD (plus shipping)

This is a full sheet of Colourfix using rustytones and art spectrum pastels.
I’d love to hear what people think of it.

In other news my students have done exceptionally well at this year’s Bayside En Plein Air competition, with 4 students entering and 4 students walking away with awards! Very well done!

Here are some samples of their recent works… (not including the entries for the show)

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February 11, 2010

Classes running in Mornington

Following on from my Mornington to Mount Martha workshop my pastel masterclasses have now started in Mornington. If you are thinking of joining in the fun make sure you get in soon. As nearly everyone is just starting out this is the perfect time to sign up.

Everyone who signs up by Tuesday 16th of February will receive a complimentary copy of my Working with Pastels DVD (Disc 1) and a 10% discount offer to join my Coastal Trail workshop on Sunday February 21st.

In addition to these offers you will also receive your own exclusive web page which will be updated weekly with your works in progress along with comments by me. This will be a great way to track your progress and watch your work grow as you move through the classes.

Make sure you check out my classes page for recent examples from my current students. You too can produce works like these!

___________________________________________________________________________________________________

I’ll be sharing some of my latest work very soon!

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January 25, 2010

Mornington to Mount Martha workshop

Hi everyone, I thought I’d share some of the works I created on the weekend during a workshop that I was running. The group was a small one (2 adults and 2 juniors) which meant I could guide them while comfortably getting my own works done at the same time. The thing I tried to push home with them was to simplify the scene into the most basic forms and study the tones. While I didn’t want them rushing I did limit the time at each location to 1 hour so that they were more aware of the changes in light as they worked. Each of my scenes was done in roughly 10 minutes, allowing me to concentrate on helping the participants along the way.

All pieces were done on 9″ x 5″ Rustygrit plein air boards. Here are the ones I did for the day.

The first location was the Mornington foreshore, one of my favourite painting spots over the years. Setting up just before 8am everything looked great until dark foreboding clouds came in and sapped the light. My piece still retains some of the light while hinting at the leaden sky in the background.

After wrapping up the first scene we packed all the gear in our cars and made the 10 minute drive to Mount Martha. As we crested the hill and started toward the town I got really excited. The sun had bathed the beach in fantastic summer light and there were crowds of people preparing to sail out on the bay. The bright coloured sails gave me plenty to work with and the scene below is what resulted.

Following on we moved to the south beach where the crowds were building and split up. One of the juniors chose to paint the brightly coloured bathing boxes, another looked at the view of the headland with the crowded beach in the foreground. I chose to look out to the bay and really simplify. I wantes to capture the shifting colours in the water and the people talking on the beach. While I was working on the scene a boat sailed straight past so I decided to use it to give the water some interest.

With the first three locations done myself and one of the students took the trek to the distant headland and set up at the rockpools. I feel it was worth the trip.

Upon reviewing all the works we could all see marked improvements as the day’s scenes developed. I was very pleased – I had converted another group to the thrill of working en plein air!

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January 21, 2010

Cascading falls, St Columba

Hi folks, here is my entry for the Glover Prize, Australia’s richest landscape prize. The scene at the foot of St Columba Falls in the north east of Tasmania. Making the cut for the Glover is a bit of a longshot with only 40 works selected for the show but hey, you have to give it a go.

Cascading falls, St Columba

$1499.00 AUD (plus shipping)

Have you checked out my site lately?

Over the past few days there have been some developments at leighrust.com with new artwork updates and new sections added. Finally my raw impressions have a new home and I’ve started a page for my Tasmanian works. Please have a look around and let me know what you think.

There have also been updates in the Port Phillip bay and Bass Coast collections for those of you who are interested.

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Inverloch workshop wrap up

This Sunday January 10th was the first of my Outdoor Pastel Workshops. We started at Cape Paterson just before 8, setting up easels at a lookout that looked east to the busy beach filled with early morning swimmers preparing for the hot day ahead. As expected all participants were out of their comfort zone but all did very well to craft scenes which captured the view in front of us.  The strong lighting really pushed their colour reliant attitudes as they were forced to simplify and look at the tones instead.

raw-cape-paterson-atmosphere

When we arrived at the second location we had 2 views to choose and the girls chose the one with the sun behind the them, a nice little procession of headlands and open ocean with swell of in the distance. This was an interesting choice for them as they all created completely different scenes, each with it’s own merit. These studies were deemed the strongest of the group when we moved to the studio session.

While we were at this location I did 2 studies, shown below.

raw-eagles-nest-lookout-1

raw-eagles-nest-lookout-2

The final outdoor scene was the beautiful rockpools at Flat rocks. The location offered a multitude of views, the most appealing being the view straight out to the surf, the rocks acting as a path to the glorious jade water. In the hot summer light the girls again wrestled with the issue of colour versus tone.

This was the scene I did on location.

raw-rockpools-at-flat-rocks

After a brief stop for lunch at Inverloch we set up outside the Art Gallery of Inverloch and I got stuck into showing them how to take the magic of the outdoor study and create a studio work that accentuates those characteristics. Using the study for atmosphere and light along with a photo for details I set about on creating as faithful rendering of the Cape Paterson scene.

cape-paterson-atmosphere-studio

With the demo complete it was time for the girls to get stuck into their studio versions of the second scene, this time with less focus on detail and colour but more on light, tone and form. While working we spoke at length about colour theory as it relates to water, atmospheric perspective, the intensity of colour and it’s impact in your work.

Here is shot of the girls hard at work

inverloch-studio-session

Thanks to the ladies who came along and also the Art Gallery of Inverloch for their support in getting this event set up.

Next up is my mount martha workshop on Sunday the 24th of January. If you think you’d like to have a go let me know. It promises to be a lot of fun and you’ll walk away with some new ideas on how to work in pastel.

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January 20, 2010

Chasing the golden summer

Please enjoy this short clip for my upcoming Outdoor Pastel Workshop on the Mentone to Sandringham coastal trail. If you’d like to join me for this workshop please send me an email.

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January 5, 2010

Some raw impressions – new studies from Beaumaris and Mount Martha

beaumaris-raw-impression

As 2009 came to an end I went out on site to the Beaumaris cliffs, one of my favourite locales, to do a study in preparation for my outdoor pastel workshops. I was working on a 9″ x 5″ Rustygrit plein air board (Red black) in the warm afternoon light. My focus was one increasing the contrast and losing all rendering – only the information to tell the story.

raw-beaumaris-cliffs

BEAUMARIS CLIFFS

Mount-martha-raw-impression

Yesterday Iwent to Mount Martha where I’ll be running my workshop on January 24th and set up at this spot to create a study. The focus for this study was to capture the textures of the rocky surface and the beautiful glow in the water. I was working on a Rustygrit studio board in raspberry, approximately 7″ x 10″.

the-point-raw-impression

THE POINT, MOUNT MARTHA

This piece of the point will be used as a basis for a major piece in the next couple of weeks. I’ve got a few works on the go at the moment and hope to have some new ones to show you shortly!

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